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Part One
It was eleven-thirty when I walked into the dark, smoke-filled music venue downtown. The place was packed. I carefully worked my way through a sea of apathetic, heavily made-up girls and faux-hawked boys that had borrowed their sisters’ pants for the evening, and found a spot near the back of the club.
The crowd huddled together as one gigantic mass of excitement and swayed rhythmically in unison to the “in-between bands” music that blasted through the massive PA system. A thousand people moved together, pulsating and breathing collectively as a single entity. The palpable energy of the place rose steadily as they eagerly waited.
The mob appeared to be mostly made up of guys, and it was clear why they were there: to drool over the infamous and beautiful, Lynn Lee. She was the underground rock singer that every girl in the scene wanted to be, and every guy desperately wanted to fuck. As the front woman of the increasingly popular musical powerhouse, The Spastic Sirens, Lynn Lee epitomized rock and roll intensity. She was, by all accounts, on her way to becoming a musical icon.
At midnight, the lights went out and the entire crowd went into a frenzy. The monstrous roar of their screams and catcalls were eventually quieted when a single blue light shined on the guitar player stage left.
Sporadic outbursts of “Fuck yeah!” and high-pitched whistles sprang from the black mass of heads in the sweaty darkness as he quietly played a twinkly melody. A minute into the solo, a red light slowly illuminated the guitar player on the opposite end of the stage as she played a beautiful counter-melody. A third light turned up behind them as the bass player joined in and made the walls and floor vibrate.
Kids began clawing at themselves and convulsing with sheer desperation as they shrieked incoherently – the agony of anticipation was overwhelming. The three musicians played progressively louder under their assigned lights. At the moment they reached the peak of their crescendo, everything stopped except for the guitarist that started it all. He looked out at the crowd and smiled as he played. Pleased with his visual survey, he strummed four ascending chords.
One. Two. Three.
The moment he struck the fourth chord, the entire stage lit up and Lynn Lee materialized in front of the Sirens bombastic drummer. Driving, angular guitars loudly and violently collided with intense drum hits while everyone in the place jumped around uncontrollably. Lynn screamed at her adoring followers and then recklessly threw herself on the floor as she began to sing, “This is why we’re here; this is why I hate you,” the opening lyrics of the band’s recent single, “Love Like Lies.” The song she had written about our marriage.
When I knew the woman that was furiously screaming her hatred for me in front of a legion of devoted fans, her name was Evelyn Godlee. She was the polar opposite of the high energy, in-your-face maniac that was singing her guts out on stage.
Years before the formation of the Spastic Sirens, or the very idea of Lynn Lee, the two of us met at a show I was playing. We were young and naïve, which led us to a quick and ill-advised marriage. At that time, she liked music and going to shows, but was obsessed with literature. She was a voracious reader and a highly dedicated writer. When her nose wasn’t in a book, she would quietly sit around our place filling spiral notebooks with her poetry and short stories. I was typically in my own world with a guitar in my lap, ignoring her and trying to write hit songs.
The band I was in didn’t do much more than small tours that we financed ourselves. We hardly sold anything and we never played to more than a hundred people. Despite a lack of musical success, I easily fell into the lifestyle of playing late, playing loud, and partying like a rock star. I regularly chose staying out and getting wasted, or fucking some no-name groupie over going home after shows. Whenever I was around, I treated Evelyn like a piece of furniture – a lifeless fixture in my apartment to which I was completely indifferent. It didn’t even matter if she knew what I was doing.
As my dreams of rock stardom began to crumble, my favorite drugs became heroin and self-sabotage. I was constantly out partying and being a horrible husband, while my neglected wife sat at home crying and writing. I was sinking rapidly and failed to notice that Evelyn was making significant changes: She began putting the books and notebooks aside, started listening to my records, and taught herself how to play guitar.
On the night that she finally left me, I came home from a gig and was greeted at the door by a surprisingly forceful punch in the face. She’d had enough of my shit and decided to let me know by knocking me unconscious. I never saw her again. My diminutive, bookworm wife had completely transformed herself into the badass, ball-of-rage, rock goddess that was baring her soul in front of a thousand adoring fans.
Since that punch, and the sickening realization of what a truly lecherous bastard I had been, I slowly began my own transformation: I switched places with her. I quit the band, checked into rehab, and picked up the books and what little writing she had left behind. She had an amazing way with words and I never even knew it. It was fascinating and devastating to see all of the wonderful things that had been right there in my living room the whole time I was wrapped up in my own narcissism.
I fell in love with writing. I began reading incessantly and decided that I wanted, more than anything, to be a writer. It turned out that, despite coming up short when it came to performing music, I actually had a knack for writing about it. Evelyn, over the same period of time, used her diary entries from our marriage and her newfound passion for music to adopt a new persona. She evolved, by every definition, into the quintessential rock star.
Over the past couple of years, Lynn Lee had become notorious for: getting into drunken fights, having her way with male groupies and then throwing them out of tour buses in shady parts of whatever city she was playing, destroying gear and hotel rooms without apology, and, most significantly, writing amazing songs that deeply resonated inside the hearts of an ever-widening audience. The power of her words beautifully articulated intense emotions that we’ve all experienced: anger, love, heartbreak, sadness, and disappointment.
It seemed that our stars were simultaneously on the rise, although hers was climbing much faster than mine. She was fronting an incredible rock band and I had just landed my first book deal. On top of the book, I had recently scored a position with a well-known music magazine. It was that very publication that sent me to the club for my first assignment: An interview with Lynn Lee and The Spastic Sirens.